翻訳と辞書
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・ The Dissent of Man
・ The Dissertation
・ The Dissociatives
・ The Dissociatives (album)
・ The Dissolution of Eternity
・ The Dissolution of Nicholas Dee
・ The Dissolve
・ The Dissolve (album)
・ The Dissolving Room
・ The Distaff Gospels
・ The Distance
・ The Distance (Bob Seger album)
・ The Distance (Bon Jovi song)
・ The distance (boxing)
・ The Distance (song)
The Distance (Taylor Hicks album)
・ The Distance (The Walking Dead)
・ The Distance Between Us
・ The Distance Is So Big
・ The Distance to Here
・ The Distances from Everyone to You
・ The Distant and Mechanised Glow of Eastern European Dance Parties
・ The Distant Future
・ The Distant Home
・ The Distant Hours
・ The Distant Land
・ The Distants
・ The Distillers
・ The Distillers (album)
・ The Distillers (EP)


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The Distance (Taylor Hicks album) : ウィキペディア英語版
The Distance (Taylor Hicks album)

''The Distance'' is the third studio album by American blue-eyed soul singer Taylor Hicks, released on March 10, 2009. It is the first release by Hicks under his own independent label, Modern Whomp, after parting ways with Arista Records.
''The Distance'' was produced by Simon Climie and features eleven tracks on the main version, including the single "What's Right Is Right" and "Nineteen", which tells the story of a teenage football star who joins the armed forces after the 9/11 attacks.〔(【引用サイトリンク】 Nineteen )〕 Several tracks feature Nathan East and Doyle Bramhall II, both longtime members of Eric Clapton's band. "Seven Mile Breakdown" was originally recorded by Alabama indie band Spoonful James. It debuted at number 58 on the Billboard 200 and number five on the Top Independent Albums charts with sales of 9,000 copies in its first week of release.
==Reception==

Critical reception to the album was mixed to positive, with publications like Allmusic saying that "Hicks doesn't show great sensitivity as an interpreter(...) but as an entertainer he pulls out all the stops, determined to get every last person in the joint to crack a smile. It's a trait that served him well in those small clubs and on television, and it still serves him well here." ''Entertainment Weekly'', however, gave the album a decidedly negative review, with ''Entertainment Weekly'' writer Simon Vozick-Levinson stating that Hicks is "no worse than any of the countless other graying dudes singing what they believe to be the blues in hotel lobbies and dive bars across the nation".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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